“Cloverfield 4” will apparently take us to WWII, but can we even trust this information?
By Sheryl OhPublished January 30, 2018
There haven’t been a lot of recent franchises that really compare to Cloverfield in its niche. The unlikely successes of the JJ Abrams– The produced series of anthology sort of movies could be seen as the most haphazard attempt to revive a cinematic universe of all time. But that’s part of their plot. The fact that two of the series’ four planned films to date have been mostly well received and exist in their own distinctive plan is also promising. Yes, according to Slash Film, there will be a Clover Field 4 and it will be specifically titled Suzerain.
The synopsis for Suzerain goes as follows:
On the eve of D-Day, American paratroopers are dropped behind enemy lines to carry out a mission crucial to the success of the invasion. But as they approach their target, they begin to realize that there is more to this Nazi-occupied village than just a military operation. They find themselves fighting against supernatural forces, as part of a Nazi experiment.
Knowing the secrecy surrounding Cloververse payouts, no one fully trusts this information. We don’t even know what Clover Field 3 – either known as Particle of God Where Cloverfield Station at this point – is supposed to be. That being said, it might be best to jump for the ride, although the itch to theorize can be undeniably strong.
One thing that sets the Cloververse apart from the hyper-connected reality of every other cinematic universe is the element of surprise; one that is aided by stellar marketing campaigns (we see you, Tagruato). In fact, surprise and expectation go hand in hand with the brand, however counterintuitive that may be. The world was shocked when 10 Cloverfield Way randomly landed on everyone in 2016; it was announced just a few months before its release. Since then, observers have understood and understood the main characteristics of Bad Robot projects that could mean more Cloverfield movies. Having the same production team Circling all projects under the Clover umbrella has proven to be the telltale so far.
The clutter of the press and marketing is just one piece of the puzzle. The Cloververse works because it totally ignores any kind of straightforward continuity, thereby moderating audience expectations while maintaining interest in a potential next installment. Such flexibility allows an intense monster movie using some of the most dizzying portable camera shots to exist in the same storytelling continuum as a tense, claustrophobic psychological thriller. The first two Cloverfield the films barely encompass as much of the cinematic spectrum as it seems the Cloververse intends to cover. Yes Cloverfield Station ends up being the space movie that was advertised all along, and Suzerain sticks to its initial synopsis of the Nazi experimentation, it’s two more genres in the bag. Could we envision a greater categorization and gender experiment rather than any sort of narrative cohesion? By not leaving any genre of film intact, are the terrors of the unknown Cloverfield just there to tell us how eternally screwed we are in the grand scheme of things? I’m asking this, even though I just said we shouldn’t speculate.
In an era of catching up with the cinematic universes to really understand the nuances of the franchise’s general arc, the mysteries inherent in the Cloververse provide a fantastic counterpoint. The possibility of being drawn into puzzles and secrets without any tangible information is refreshing in an age of thousands of trailers and countless elusive studio promises to write some favorite characters in great movies.
That being said, I don’t think the Cloververse’s tactics guarantee any longevity in the lifespan of a cinematic universe. This could easily backfire on Cloverfields 3 and 4. The franchise’s emphasis on secrecy results in a lack of audiences and critical responses before the films are enlightened and made. If these movies don’t perform well in actual theaters, it could cause the series to stop. It was a tangible fear during the viral campaign of the first Cloverfield film, albeit on a smaller scale. Now, ten years later and with two completed but unreleased projects, there is so much more to lose.
No one was really prepared for the overzealous CloverfieldThe shaky approach of the camera, as the stories of motion sickness and nausea in movie theaters sadly testify. A Washington post The writer was of the opinion that “that we find Cloverfield pleasure, however, may depend on one’s susceptibility to cerebral hemorrhage. 10 Cloverfield Way was more than just a solid horror movie, but definitely flourished initially thanks to an attachment to the Clover moniker; people wanted to know how connected the burgeoning franchise would be. Yet whether these films come together in a tangible way and finally make sense of the name “Cloverfield” doesn’t really matter. Almost contradictorily, while we sort of have a plan for the Cloververse, it’s all still hanging in the air.
Related subjects: Cloverfield, JJ Abrams
Sheryl Oh often finds herself fascinated (and let’s face it, a little obsessed) with actors and their on-screen achievements, developing Film School Rejects’ Filmographies column as a passion project. She’s not very good on Twitter but find her on @sherhorowitz In any event. (She she)