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‘Texas Chainsaw Massacre’ Leaves A Mess In Its Wake – Cinema, Movie, Film Review

It’s no surprise that ‘Texas Chainsaw Massacre’, at an hour and 20 minutes, never fails to make a lasting impact despite its efforts to outdo itself at every turn.

In the first fifteen minutes, you see a man’s arm broken and the bones used to stab himself in the neck. You also see a Confederate flag flying proudly above a seized town where a group of in-town hipsters plan to gentrify the place. Obviously, “Texas Chainsaw Massacre” has a lot to say and a lot to do, but the problem is that it’s all so fast-paced and so tirelessly trying to put it all together that none of it really settles properly. . Instead, everything falls apart like Leatherfaceimpaling people on his craziness and chainsaws, and hoping for the best.

“The Dig” directors Andy Tohill and Ryan Tohill left the film during production, with David Blue Garcia sent in afterwards to try to create something out of the whole experience. Irish actors Moe Dunford and Olwen Fouéré are still in the cast, with the latter playing the sole survivor of the original film, Sally Hardesty, now a hardened Texas Ranger who spent the intervening years hunting Leatherface. If that sounds like “Halloween,” you’re not mistaken.

It’s clear that ‘Texas Chainsaw Massacre’ has been accelerated – no pun intended – following its success, and what’s intriguing about so many of these horror sequels is that they’re trying to elevate the source material by infusing it with the ideas of today. We now have a much better understanding of generational trauma than we did in the ’70s, and the public is savvier now than it ever was. Yet in ‘Texas Chainsaw Massacre’, it seems the script is a secondary consideration to the ultra-violence presented. More than that, there’s no originality or real sense of horror in any of this. These are just shock value antics, refusing to allow any kind of atmosphere to formulate.

What makes this all so frustrating is that there’s clearly a decent idea at work here, but the chaos of it all just seems to swallow it whole. Elsie Fisher, who starred in Bo Burnham’s excellent “Eighth Grade,” plays a school shooting survivor thrown into another vortex of violence. Alice Krige has maybe five to ten minutes of screen time and barely registers. The very idea of ​​a gentrified town of horror and the serial killer who lives there in response is fascinating. Yet none of it connects because it’s all so clogged with gore and madness.

Like the titular chainsaw, “Texas Chainsaw Massacre” is loud and brutal. It’s barely effective, and ultimately leaves a mess in its wake.

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